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Tuesday, 11 December 2012

What makes an epic fantasy novel fantastic?

This blog is dedicated to my favourite genre - epic fantasy. I have always loved reading epic fantasy, and am constantly on the look out for new authors and novels to immerse myself in. If I think of my favourite epic fantasy books, there consistent elements that jump out at me; elements that have made these novels winners. Here are three things that (in my opinion) that make a good epic fantasy tale linger in the reader's mind, long after they've turned the final page:

  • a richly drawn, believable world. From Middle Earth to Westeros, epic fantasy needs a world that readers feel could actually exist. I like worlds with a detailed, unique history, distinct flora and fauna and a realistic depiction of geography. A really good epic fantasy world take the role of another protagonist in the story; and as such should help shape and drive the plot, as events and characters do
  • a rich cast of characters (just not too many) with a main character (or characters) that I can really identify with. No superheroes please. If our main character has lost his family, his job, and witnessed the destruction of the world - I want to see a real, human reaction to such events. I've read so many 'coming of age' stories that I tend to avoid them these days; instead I look for tales with characters who go through life-changing events that shape and alter them and their perception of the world forever. I like stories with flawed, gritty characters. Writers who stay with my favourite character's point of view for large chunks of the book please me, as I enjoy feeling as if I'm looking over this character's shoulder and living the adventure with them
  • a unique, intriguing plot that may, or may not, include a quest. Like most avid epic fantasy fans, I love a good quest. However, it's been done so often that many quest-focused novels seem like a rehash of Lord of the Rings. For a quest to work it has to have both personal and a wider significance to those going involved - there has to be a reason why the main character would put his/her life at stake to save the world (other than being incredibly brave, or foolhardy).
So, what are the things that turn me off an epic fantasy novels - to the point where I will abandon the book? Unsurprisingly, have a few of these...
  • killing off my favourite character(s) - this is very upsetting, especially if I have invested a lot of time into reading a book or series
  • overly simplistic plots or character motivations - there are so many shades of grey in life and a good novel should reflect this. Readers like people and events that are not what they seem
  • one-dimensional characters that behave the same way throughout the book - these are boring (and all too common in fantasy I'm afraid). I might be reading about a make-believe world but I want characters I can believe in
  • sub-plots that take me off in long-winded digressions from the central story, focusing on characters we don't care about - the writer might have a grand plan, and such digressions will make sense in Book Four of the series; however I feel these weaken a story rather than add to it
  • any book that rehashes the classics - I loved Lord of the Rings, The Sword of Shannara, Magician and Game of Thrones - but I don't want to read an imitation
  • books that deliver beautiful description, but lack substance - readers want action, conflict and drama, not page-long, sigh-inducing descriptions of mist-covered mountains!
What do you love (or loathe) about epic fantasy? Please share!
 

Wednesday, 21 November 2012

Guides to becoming a self-published writer – how many of them are worth the money?

Like many authors new to publishing on Amazon Kindle and other self-publishing platforms, I was keen to learn more about the subject. I wanted to make sure I was editing, formatting and publishing correctly, and making the right decisions regarding cover design, pricing and marketing. At times, I have a tendency to rush headlong into new projects, without doing the necessary groundwork first; so this time I wanted to make sure I was well prepared. I wanted to give my work the best possible chance of being found, bought and read!

Reading some of the e-books available on this subject has been enlightening to say the least - but, unfortunately, it’s not all good…

Like any area that people decide has 'get rich quick' potential, Kindle has been touted as a gold-mine. You just have to look at the titles of many of the e-books aimed at self-published authors. Titles along the lines of 'make a million on kindle', 'Kindle cash', 'how I made a million/thousands with Kindle' abound. We live in a quick fix, ‘I should be rich/happy/successful for no effort’ society, and making your fortune on Kindle holds a certain appeal. Unfortunately, there aren’t that many books on self-publishing available, and most of what’s out there is definitely riding the ‘be another (insert name of famous indie author here!) wave.

That said, there are many self-published authors – myself included – who have been writing for years and are delighted to have a means through which others can read our work – finally! I got my first check from Amazon last week - and did a dance around the house to celebrate. It may not be a fortune but its payment for doing something I love. That’s what most self-published authors are looking for – the chance to make a living at writing. I believe that the mirage of fame, fortune and mega-success is a trap for the unwary – one that many books on the subject perpetuate.

So for self-published (or planning to be self-published authors) out there – which guides to self-publishing are actually worth the money? Below I have listed the six most popular guides available on Kindle, and my opinion of their strengths and weaknesses. In alphabetical order by author they are:

Michael Alvear – Make a Killing on Kindle (Without Blogging, Facebook Or Twitter). The Guerilla Marketer’s Guide to Selling Ebooks
This writer takes a different approach from some of his competitors (as shown in the title); one that will appeal to those who have blogged, tweeted and Facebooked in a frenzy – with few or no resulting sales. The main premise of this book is as that you should market within Amazon (thus capturing those who are already looking for books like yours), rather than trying to market to the whole world when you are an unknown author. Some of his advice is good: creating a good title, masterful book description and dazzling cover art make sense, as does using Adwords and the Amazon search engine to make sure the keywords you use when uploading your work onto KDP get your book found. However, some advice, such as putting a billboard up on your competitors’ Amazon pages, is likely to get you in trouble with Amazon and is a bit irresponsible on his part. In all, Alvear has some good advice – but his ‘hard sell’ techniques will put off some authors.

John Locke – How I sold 1 Million eBooks in 5 Months!
John Locke is the guru of self-publishing success. His sales background is evident throughout his book. He’s pretty smooth and goes to great effort to make you feel as if he’s your friend, as if you’re sitting down for a chat over a beer together. He would even have you believe that this is not ‘an ego book’ and that he’s ‘giving’ you his secrets because he wants you to have his success. If you can bear to wade through all the waffle and self-promotion, Locke does have some valid advice; like writing for and marketing to a specific niche, and keeping within it. Find out who loves your books and tailor your marketing to find them. Recently, Locke took a bit of a hammering when people discovered that he had actually bought many of his reviews. Ethical matters aside (if someone wants to fork out money for fake reviews that’s their business I suppose), the main issue most people have, is that Locke doesn’t mention buying fake reviews in his book. When asked about why he did it, Locke became defensive and added that he wasn’t ashamed of what he’d done – but if that’s the case why did he not mention it in his book? You decide.

Michael Masters – Kindle Cash - The Beginner's Guide to Creating, Marketing, And Publishing On The Amazon Kindle
This book was a bit distracting to read at times, as it isn’t formatted very well – not a great start for a book teaching you how to self-publish! There’s also, like Locke’s book above, quite a bit of extraneous ‘padding’. Masters also takes the ‘we’re in this to make cash’ approach to extremes at times. He suggests that new non-fiction writers should write about the top three ‘bleeding neck’ subjects if they want people to buy their books. These are: relationships, money and health. However, if you’re a fiction author, this doesn’t really help you. Michael goes into a lot of detail on choosing and refining your niche – which is probably useful for self-help authors. Like Alvear, he details using Google Adwords to search for useful keywords and to isolate hot topics. This book rambles a bit, but there is some good advice scattered throughout – you just have dig a bit to find it!

Toby Neal – Building an Author Platform that can launch anything: A Social Media Mini-book
Neal comes from a sales background – and considering that half her very short book is actually the first two chapters of one of her novels – you can’t help but feel as if you’ve been had! She also mentions her novels continuously throughout the ‘mini-book’, which I found off-putting. She cites John Locke many times and most of her advice on writing to your target audience comes straight from him. Like Locke, she also enthuses about creating a blog and using twitter to promote your work. You will find some valid advice in this tiny book – however, it’s just too short and generalised to provide new authors with the assistance they need.

Cheryl Kaye Tardif – How I Made Over $42,000 in 1 Month Selling my Kindle ebooks
This book’s focus is on using Amazon KDP Select to promote your books and become a successful self-published author. She goes into detail about how she does this – and she has a lot of unique advice – rather than rehashed information from other authors – about blogging and using Twitter effectively. However, it is evident from the book that Tardif is a veteran self-published author and even runs her own publishing company. She has spent years becoming established, so her success on KDP Select shouldn’t come as such a great surprise! However, Tardif’s respect for writing and those who follow their passion is refreshing and inspirational. When marketing your book she suggests following the three E’s: Entertain, Educate and Escapism – so that you give your readers value – even if you're writing a marketing newsletter or blog post.

Zoe Winters - Smart Self-Publishing: Becoming an Indie Author
I’ve saved the best till last! Winters’ book is well written and researched, informative and doesn’t insult your intelligence (yes, some of the others do I’m afraid). Winters is not one of Amazon’s high rollers, but she makes a decent living out of her writing. She has taken a methodical, business-like approach to the entire process. She recommends creating your own business plan, having realistic expectations and accepting and moving on from ‘failure’ as part of what it means to be an indie author. Winters provides a wealth of information on the different avenues for indie publishing, as well as formatting your book for Kindle and Smashwords, editing, cover design, branding, marketing, ISBN numbers and registering for copyright – as well as a handy troubleshooting section. This book really is an indie author’s bible!

If my overview of the above six books teaches us nothing else, it's that if ‘so-called’ experts can’t agree on the recipe for success, there probably isn’t one! Of course, we all know this, deep-down, but the holy grail of the 'elusive easy answer' is a hard one to let go of. Researching this blog has taught me that you must write because you love it, because you want to share your writing with others, to entertain and provide escapism, or to teach. Frankly, if writing doesn’t light your fire then there are much easier ways to make money than becoming a self-published author!

To all of you who have actually finished this rather long blog – thank you for reading. I welcome your comments and thoughts on this subject and wish you all the best for your writing. Don’t ever give up! 

Friday, 26 October 2012

Is the KDP Select Free promotion worth it?

In my previous blog I announced that The Children of Isador was about to have three days free promotion via KDP Select - and it did! The Children of Isador reached #10 in the best-selling epic fantasy downloads and has gained over five-hundred potential new readers because of this promotion. :-)

Before joining KDP Select and taking part in the promotion I was a bit cautious - and like many other writers I wasn't pleased with Amazon's rule that you cannot have your book published on any other e-publishing platform when enrolled in KDP Select. Nevertheless, I'd heard great things about the free promotion service and was keen to give The Children of Isador a boost. I published it in on Amazon Kindle in June this year and although the sales had been ticking over nicely, wanted to give the novel a bit more visibility.

So was the free promotion worth it, and would I recommend it to other self-published authors? The short answer is yes. I write primarily to get read. Yes, I want to make a living from it, and a monthly check from Amazon is most welcome, but what matters most is that epic fantasy fans read my book.

 So, here are the Free download stats for The Children of Isador over three days (23-25 October 2012):

.com = 401
.uk = 100
.de = 20
.fr = 0
.es = 2
.it = 0
.jp = 0

Total free downloads: 523 copies.

I know there will be writers out there that get thousands of downloads for the free promotion, but since The Children of Isador is my first book I'm pretty pleased with these numbers!

If you were one of the five-hundred and twenty-three people who downloaded my book, I thank you - and invite you to post an honest review on either Amazon or Goodreads. If you have any feedback or thoughts about the novel, you can email me at: samanthajcharlton@gmail.com  I'd love to hear from you.

If you enjoyed The Children of Isador then you'll be pleased to hear that I've been busy writing more epic fantasy! Journey of Shadows (Book One of the Palâdnith Chronicles) is due out in December this year. This first book in the series begins the story of Seth, Eni and Val; three brothers who parted ways ten years' earlier and have not spoken since. Unaware of their unusual heritage, or of the sorceress pursuing them, the brothers are catapulted from their old lives and begin journeys that will test more than their courage. Keep an eye on my website: www.samjcharlton.com for updates on this book!

The Children of Isador, a dark, traditional fantasy about the triumph of good over evil is now available on Amazon Kindle at its usual price of $2.99 USD.


Monday, 22 October 2012

Are you a fan of traditional Epic Fantasy?


Upon reading the advice – write what you love to read – I began my first novel, an epic fantasy entitled The Children of Isador.

I wanted to include all the aspects of epic fantasy that I love – a great adventure, a quest, an exciting cast of characters whose lives are irrevocably changed by the events of the story, and baddies that are as fascinating as the good guys. I wanted to keep my epic fantasy traditional, and a bit dark.

Yet, there are a few aspects of this story that differ from the norm –  elements that I have wanted to see in my favourite fantasy reads. Unlike a lot of epic fantasy, which has a long and detailed build-up to the main action, this story starts in the thick of things. The enemy has already attacked and conquered – only a small handkerchief of territory remains. Things are looking pretty bleak for Isador. For an adventurous writer, this is a great place to start! I like to make the stakes high, and what better way to see what my main characters are made of than throwing them all in? I also have a fast-paced writing style. I don't rush the plot, but once you start reading, the story should sweep you along with its momentum. I’ve made this story as ‘epic’ as possible – to transport you to a rich, believable world and high adventure.

I initially published The Children of Isador in 2007 with Equilibrium Books, Australia. The printed edition had its own small success and the novel was shortlisted for the Sir Julius Vogel Awards in 2008 (for New Zealand writers of Fantasy, Sci-Fi and Horror). Deciding that I could improve it – I gave the novel a thorough re-edit and republished it as an e-book on Amazon Kindle in June this year. The novel has done a lot better this time round – due (I imagine) to its wider reach via Amazon and my changes.

If you enjoy traditional epic fantasy and a classic struggle of good against evil, The Children of Isador might be just your thing!

For just three days only (23-25 October 2012), The Children of Isador is available for FREE to download on Amazon Kindle (instead of $2.99 USD). Please take advantage of this offer – and if you enjoy the book feel free to post an honest review on either Amazon or Goodreads.


Monday, 8 October 2012

The Art of Storytelling

Are storytellers born or made? I'd like to think that it's a fifty fifty split between nature and nurture! I believe that you need to be born with some writing and storytelling ability - but that it's how you hone your craft that makes the difference. Writing is one of the few talents that many believe is god-given; you either have it or you don't. There's something unromantic about the idea of an author sweating over their writing for years before finally turning out a publishable story. Yet, other art forms - music, acting, singing and dance - require years of practice before someone can be called an expert. With this in mind, it follows that the more stories you write, the better they will be.

When deciding upon what genre to write, it might help to keep the following in mind:
  1. Write in the genre you love
  2. Write the sort of book you would love to read
  3. Write your story for all those people who love the same books as you.
You'll notice that the keyword in all three of the above sentences is 'love'. Let's face it, writing a book and then doing numerous drafts and edits, is hard enough without writing in a genre you aren't passionate about.  That road only leads to disappointment and frustration. Write what you love!

So you've chosen your favourite genre - how should you approach the storytelling itself? There are various schools of thought on this, with entire books dedicated to the subject, but I can share what works for me. I start with a strong basic theme or idea. I often use the premise 'What if?' when coming up with ideas. For my first book, The Children of Isador, the starting point was around the main character: what if the only saviour of a war-torn land is an irresponsible, vain and shallow young wizard? My current book, The Citadel of Lies (Book One of the Palâdnith Trilogy, available on Amazon Kindle in early 2013), started with the premise: Three brothers. Three assassins. One destination. I imagined three estranged brothers who have not seen each other in a decade, three assassins who have been sent to hunt them, and the place where they will be reunited: The Citadel of Lies. From this, the first of three stories was born!

Some writers meticulously plan their stories before commencing writing, while others research their world and characters thoroughly and start the story with only a vague idea of where the story will go. I fall in to the latter category. I don't plot my stories out in detail before writing - not out of laziness - but because the storytelling must be an adventure for me. If I know exactly what will happen, the excitement dies. This might mean that I have to spend longer on the second, third and fourth drafts of the story, as I iron out a few plot creases, but it also means that the writing keeps fresh and alive throughout. This approach also leaves space for a bit of magic to happen along the way; characters can behave it ways you might never have thought of, and the plot might take a direction that will have you, and your readers, on the edge of your seats to the very last page!

Get writing!


Sunday, 23 September 2012

Creating a Sense of Place in Epic Fantasy



More than any genre, fantasy writing requires a richly drawn, evocative setting. Readers have to feel as if your world actually exists. If by the end of your story you’ve got them wishing they could take a holiday in your fantasy world, then you've done your job well. I've often wished I could spend a month in Hobbiton – as a guest at Bag End of course!

A good setting should activate the senses. Although epic fantasy is about grand themes, long journeys and cataclysmic events, the setting should take a protagonist's role. All the best epic fantasy stories have a setting that is as memorable as the main characters: George RR Martin's Westeros, Terry Brook's Four Lands in his Shannara series, C.S. Lewis's Narnia and, of course, Tolkien's Middle Earth.

One of the reasons that fantasy is such a popular genre is that it transports us to another, simpler world. These days, mystery, magic, superstition, epic adventure and an everyday struggle for survival are not (usually) part of most people's lives. We have jobs, routines, responsibilities and four (if we're lucky!) weeks of paid holiday a year. We read epic fantasy to leave the everyday behind, so keep this in mind when you're creating your setting.

So how does a writer of epic fantasy create a sense of place without resorting to lengthy (yawn) descriptions, overuse of adjectives and purple prose? Here are a few tips that work for me:


1. Take the 'iceberg' approach. This means that you need to know much more about your setting than you'll ever reveal to your readers – they'll only see the 'tip' of the iceberg, not the 'mass' of information underneath! You should know so much about the setting that you write with authority and confidence. Don't give your readers huge info dumps in the hope that it'll make them believe in your world. Information should be revealed subtly, and through your characters whenever possible. So, how do you gather that 'mass' of information about a world that doesn't even exist?

 
2. Draw a map. The world of your fantasy story might only exist in your imagination but for others to believe it could exist, you must make it believable. Even if you're not good at drawing, get out a pencil, a blank sheet of paper and experiment with drawing a map of your world. Many fantasy worlds tend to be massive continents with extreme variation from north to south – but you don't need to play it safe. What about an archipelago of islands or a long thin peninsula? Some rudimentary knowledge of geography will come in useful here – generally, you cannot travel from searing desert to a lofty alpine range in two days on horseback! Most fantasy settings have worlds that are cold in the north and hot in the south; but if you live in the southern hemisphere (like me), you'll be used to the opposite. I followed convention in The Children of Isador regarding a northern-hemisphere style climate but in my current novel I have modeled my world, and its climate, on the South Island of New Zealand – with a cold south and warm north. The important thing is to get the details right. Civilisation cannot exist without water, so keep this in mind for any large towns and cities. It's also a good idea to decide upon how people get around your world – are there ferries, highways or flying carpets?
 
3. Create a potted history and culture for your world. I'm not saying you should spend weeks writing a detailed history of your fantasy world (that's called time-wasting!) or that every detail has to be outlined before you start writing. However, a 1-2 page history is worth doing, and it might also give you more storyline ideas! You also need to think about the predominant culture. Be wary of copying and pasting various eras and peoples of Earth's history, as this can jar. I recently read a fantasy book that blended a Dickensian world with Renaissance Venice. It had some characters called Gregorio and others with names like Steptoe who were all supposed to come from the same culture – frankly, it didn't work. If you are inspired by a particular time and place in our world and history, that's fine. Just make sure that it's not a blatant rip off, and give it your own – unique – twist. Don't forget about details like food, religion, magic, clothing, architecture, manners, use of language, scenery and climate – they all matter!

4. Let your readers experience your world through the senses of your main characters. This is the classic advice of 'show not tell'. It can be hard to follow, but if you put yourself inside your characters as you write you can filter the readers' perception of the setting through their eyes. Instead of: It was a bright and sunny day as Elmo rode through beautiful countryside, something along the lines of the following gives you a far greater sense of place: Elmo squinted up at the hard blue sky and felt the sun bite his skin. The rolling hills, interspersed by thickets of dark pines, stood out in sharp relief in the bright sunlight... Close your eyes and imagine you are Elmo on his journey.


A bit of time spent outlining your epic fantasy world, and the people who live in it, will really help you create a sense of place. It's the details that matter, and you have to be careful not to contradict yourself! Make notes, add to them as you write, and refer back to them constantly. When it comes to creating a believable, memorable fantasy world that readers will want to return to, you have no other source than your own imagination, memories and knowledge – use them well!






Monday, 17 September 2012

Creating memorable characters

Let's face it - people are strange. Just when you think you understand someone they can always surprise you. A complex web of emotions, insecurities, beliefs and desires lie beneath the surface in all of us. In most cases we aren't even aware of what drives us. I'm sure you will have met plenty of people who say one thing and then do the complete opposite. Even if someone points out this contradiction out to them, they still won't see it! I think we're all a bit like this. There's a layer of 'stuff'' that we'd rather not face about ourselves and in many cases we can live out our entire lives without knowing.

I've written stories all my life. Although I write for the love of it, I started writing to help myself understand life better. Writing fiction allowed me to explore my own thoughts, worries, fears and hopes, without actually having to write about myself! Years on, I still like exploring the human condition and the conflict within us all through my characters.

Here are three top tips I'd like to share with you about creating memorable characters:
  1. research your characters: they may not exist before you created them, but your readers will need to believe in them. Create character profiles for your protagonists and interview them. I know this might sound like a lot of work when you could be writing the novel itself, but believe me it will help you bring your characters to life. Designing a 'back story' for your main characters will help you create consistent, believable characters. Here's a link to a useful writing character profile writing resource to get you started: http://www.creative-writing-now.com/writing-character-profiles.html
  2. make your characters 'larger than life'. This doesn't mean that you should create an outlandish, off-the-wall main character that none of your readers can connect with, but that should exaggerate their existing traits. It's a bit like how actors and TV presenters have to wear heavier make up when they're on camera - or their features won't stand out. A gentle, bookish main character with a love of animals and quiet nights in is fine - but you need to bring these traits to life! Show your character in activities that bring his/her defining characteristics to the fore (this will be a lot easier if you have completed a character profile and have a clear idea of who your character is).
  3. create conflict. By this, I don't meant that you hurl obstacles into the path of your main character - although this might be part of the plot of an adventure story - but that you create conflict within your characters themselves. To take the example of the character I described in point 2. He may be gentle and bookish but what if he reads action novels about macho guys who take on the world and win. He might love animals but what if he doesn't have a pet because he doesn't want the responsibility of caring for one. He loves quiet nights in but what if he secretly worries life is passing him by while he sits on his sofa watching DVDs. Immediately, you have conflict on many different levels. Although he's a gentle, animal-loving homebody, he's also frustrated, lonely and afraid of taking risks of any kind. He can't even get himself a dog because he's terrified of the responsibility! Inner conflict makes your character active. He won't be a passive recipient of what life hands him because he's got his own issues. Inner turmoil will also drive him, adding depth to your plot. When you hear about writer saying a character 'took over' during the story-writing - this is what they mean.
I shall leave you with some advice on characterisation from Robert McKee, the author of "Story" (an essential book for writers, by the way). He insists that great stories have archetypal characters rather than stereotypical ones. An archetypal character is so unique that the reader's attention is instantly captured, but at the same time so true that the reader can identify, commiserate and understand with him or her on a deep level. When we find an archetypal character in a book we are hooked - for through them we discover our own humanity.

Friday, 14 September 2012

Web Writing - Finding your Style

Style is unique and subjective. Think about people’s favourite writers – some prefer the crisp simplicity of Ernest Hemingway, while others the descriptive lushness of D H Lawrence. Some like books that get straight to the point, while others like a long preamble that scene sets. My point here is that you can’t please everyone, and nor should you try.

However, when deciding upon a writing style for your website try to keep the three following points in mind:
  1. Your writing style should reflect your personality – don’t try to appear intellectual and analytical if you are a dreamy story-teller. Your writing will only seem forced and empty if you try to be something you’re not
  2. Your writing style should evolve naturally from a desire to connect with your audience – write with your audience in mind and your style should fit those you want to attract
  3. Some writing styles can be distracting. Wordy, passive, awkward sentences won’t help your writing – it’ll just irritate people so much they’ll stop reading.
Still not sure about how to define your writing style? Let me put it to you another way. When you write using your true ‘voice’ about a subject you’re passionate about you will naturally create a connection. Be bold. Let your personality and the love for what you do show in your writing.

Words are power, so choose ones that describe exactly what you want to say. Avoid over-using words like ‘very’ to describe something. The soup wasn’t very hot – it was steaming! Choose strong verbs over weak ones. He didn’t run for the bus – he sprinted. Select specific adjectives over general ones. The product isn’t just new – it’s innovative!

What if you don’t realise that you are writing wordy, passive awkward sentences? We are often too close to our own work to be able to critique it objectively. Errors that jump out at a proofreader can slide right by us when reading our own work.

The Readability Statistics function in Microsoft Word is a handy tool, especially when you are new to writing. This tool proofreads your document for you and analyses it for grammar and style.

Grammatical errors might include:
  • misused words
  • punctuation errors
  • subject-verb agreement incorrect
  • possessive/plurals confused
  • capitalisation used incorrectly
  • questions structured incorrectly.

Stylistic errors might include:
  • clichés, colloquialisms and jargon (these can make your writing appear shallow or insincere – the trick is to take a cliché and twist it into something original!)
  • contractions (although I’ve used contractions to create a personal style – which is more common in web content – avoid using them if you wish to create a formal, technical, academic or business-like tone)
  • sentence length (for web content, try to keep your sentences under 20-25 words)
  • unclear phrasing
  • overuse of the passive voice (keep sentences as active as possible, and let the subject do the action. For example: dinner was cooked by Sue is passive and much weaker than: Sue cooked dinner)
  • wordiness
  • sentences beginning with ‘And/But/Hopefully’.
No system is infallible, but the Readability Statistics tool is a great guide to grammar and style. It uses the Flesch Reading Ease score that rates text on a 100-point scale. The higher the score, the easier the document is to read. A 0.0 score means your writing is incomprehensible! Ideally, you should be aiming for a score of 60-70. Write, or copy and paste, your web content into a Word document and follow the instructions below to proof it:

Using Readability Statistics with Microsoft Word 2007.
Using Readability Statistics with Microsoft Word 2010.

To sum up, although grammar is a fixed point (to a degree), style is much more flexible. Once you know a rule, you can bend, stretch, or even break it to suit you – but you have to understand it first! Write using your own, unique voice and with a sincere desire to connect with your audience, and your web copy should develop a natural style that draws the reader in.

When it comes to creating a web content writing style that works for you, I shall leave you with the following quote:
Be yourself. Above all, let who you are, what you are, what you believe, shine through every sentence you write, every piece you finish.”
John Jakes

Take My Word - Web Content Writing & Small Business Marketing

Tuesday, 11 September 2012

Adventure, Italy and Epic Fantasy



I have always believed that life should be an adventure. A true Sagittarian, from as early as I remember I dreamed of escaping the everyday. I remember at the age of fourteen, poring of the world atlas at school and planning my itinerary through Africa. All the way through university I dreamed of the day I would be able to jump on a plane and fly away from the quiet (and some would say, boring) town in New Zealand where I grew up. Two days after graduating from university and a day after my twenty-second birthday, I did just that. A year and a half later, I was working in Rome, Italy, and finally living my dreams. 

Rome was a real adventure. There was so much to learn as I threw myself into my new job as an English Language teacher and struggled with a new language and culture. Rome was noisy, hot and loud, and every day was an exploration. Just stepping out my door was an adventure and I never knew where Rome would take me. My Italian adventure lasted many years, but it sadly did end. 

Due to my love of adventure, it’s not surprising that when choosing to write a fiction genre, I chose epic fantasy. Epic fantasy involves the kind of adventure even I could only dream of. Never mind moving to Rome, I can't save the world or rid it of evil (although I would like to try). I certainly don’t want to lose everything, trek across great continents with only a loaf of stale bread for sustenance and put myself in physical peril in great battles. I wouldn’t mind learning how to wield a sword like a corsair fight like a ninja, but I certainly wouldn’t want to be put to the test in mortal combat! However, I love writing and reading about it. 

Maybe that’s why epic fantasy is such an enduring genre. Epic fantasy stories take place in a world that is no longer accessible to us; a land ruled by magic, superstition and mysticism rather than technology. Life has a slower pace but every day survival is a big issue. 

My love of history, and of bygone eras, not only drew me to epic fantasy but to Italy. Despite being very much part of the industrialised world, Italy still manages to retain something of its past in its daily life and rhythms; something that many Western countries lost decades ago. There were moments during my decade in Rome that I felt as if I had stepped back in time. I'll never forget visiting the priory of the Knights of Malta on the Aventine Hill in Rome. The Knights Templar themselves belong in an epic fantasy. These famous warrior monks played a significant part in medieval history, until Pope Clement V had them massacred in 1312. I visited the priory on a sultry summer’s night, stood before the priory’s heavy wooden door and peeked through the keyhole. There, framed by an avenue of trees and illuminated silver by the moon, was the dome of the Vatican. Magical – someone actually designed the keyhole, and trimmed the trees, just to create that view! For a few seconds that magical sight transported me out of the twenty-first century and into another world. Then, a scooter backfired on the street behind me and the moment shattered.
 
Writing helps keep my adventures alive. I wrote Rome for Beginners to give those dreaming of moving to Rome that nudge they need – and I wrote The Children of Isador  to give myself, and my readers, a nail-biting adventure in a land of darkness, hope and courage. Long may the adventures continue!